Acotaciones sobre el constructo de estilo cognitivo dependencia-independencia de campo.

Sin resume

La construcción de las dos últimas novelas de Javier Cercas: soldados de salamina y la velocidad de la luz

Con la novela Soldados de Salamina obtuvo Javier Cercas uno de los mayores éxitos editoriales de los últimos años. Este artículo trata de desvelar, desde dentro, las claves que ha manejado el autor para escribir una novela que ha merecido el reconocimiento unánime de críticos y lectores. Así como la reincidencia en este modelo narrativo en su última novela publicada: La velocidad de la luz

Investigación y evaluación. Implicaciones y efectos.

Sin resume

A Note on the Predictive Content of PPI over CPI Inflation: The Case of Mexico

This note studies the causal relationship that may exist between the producer price index (PPI) and the consumer price index (CPI). In contrast with previous international studies, the results suggest that, in the case of Mexico, information on the PPI seems to be useful to improve forecasts of CPI inflation. In particular, CPI inflation responds significantly to disequilibrium errors with respect to the long-run relationship between consumer and producer prices. These results are based on in-sample and out-of-sample tests of Granger causality, in the context of an error correction model.Cointegration, forecast evaluation, Granger causality, vector error correction.

Scenic appropriation of representation systems from the past, and its ideological dimension

[Excerpt] In 2013, when mala voadora – the theatre company I belong to – reached its 10th year of existence, I published a catalogue with a few sets and gave it the title ways of doing nothing. I’m more fond of manipulating things that already exist than designing new things from scratch. As an example, in 2012 I used the external image of a theatre to create the set for a play taking place inside that same theatre. In 2014, for Hamlet, I designed a set based on the image of the stage's proscenium, reproduced over and over in a progressively smaller scale, in the same way baroque scenographers used to do. I was accused of plagiarism because of this set. It happened immediately after the play was presented at the Theatre de la Cité Internationale in Paris. I was accused of copying the set designed by Michael Levine in 2011 for a staging of the opera Don Giovanni at La Scala, in Milan. Since the accusation was anonymous, I made it public myself through social media, taking the opportunity to explain (as I had before, at the time of the play's premiere) that my design for Hamlet was indeed a copy, but of Český Krumlov castle’s baroque theatre, in Czech Republic, from 1765/66. [...]Project Lab2PT –Landscapes, Heritage and Territory laboratory – AUR/04509 and FCT through national funds and when applicable of the FEDER co- financing, in the aim of the new partnership agreement PT2020 and COMPETE2020 –POCI 01 0145 FEDER 007528info:eu-repo/semantics/publishedVersio

Uma garrafa de Coca-Cola e duas estufas: política interna nas artes e na arquitetura

info:eu-repo/semantics/publishedVersio